In 2013 women constituted just 10 percent of the writers working on the 250 top grossing films. If the remaining 90 percent of working screenwriters are too lazy to write a movie from a woman's perspective, then the result is what we see now: an absolute dearth of movies written about women and for women. Amy Pascal, Sony's then co-chairman, said, 'You're talking about a dozen or so then female-driven comedies that got made over a dozen years, a period when hundreds of male-driven comedies got made. And every one of those female-driven comedies was written or directed or produced by a woman. It's a numbers game - it's about there being enough women writers and enough women with the power to get movies made'.
Not that studios especially want these female-driven movies anyway: they want franchises, and romcoms and female comedies aren't seen as blockbuster material. 'Studio executives think these movies' success is a one-off every time,' Nancy Meyers, who wrote and directed Something's Gotta Give and It's Complicated, said. 'They'll say, "One of the big reasons that worked was because Jack [Nicholson] was in it," or "We hadn't had a comedy for older women in forever". According to Melissa Silverstein, editor of Women and Hollywood, 'Whenever a movie for women is successful, studios credit it to a million factors, and none of those factors is to do with women'.
Romcoms aren't heart surgery, but they - at their best - explore and explain the human heart, and that's why great ones are so great and terrible ones are so very, very terrible. This is also why it feels like such a shame that studios simply think they're not worth their time any more. To be fair, writers as wise and funny and fair as [Nora] Ephron - and Austen for that matter - don't come along every day. But things have reached a pretty pass when film trade publications admit that When Harry Met Sally wouldn't even get made any more.
- Hadley Freeman, Life Moves Pretty Fast, London, 2015, p.110.
See also:
Blog: Highlander vs Ladyhawke, 15 March 2018
Blog: The remarkable impact of My Forgotten Man, 1 May 2016
Blog: 'Hey, did you see the grosses for Gandhi 2?', 3 February 2014
No comments:
Post a Comment