29 July 2026

Lambert Wickes' contribution to the cause of American independence

US naval officer Lambert Wickes took the war to England's back door in 1777:

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Reprisal left St Nazaire to cruise in the [English] Channel in January 1777 - a miserable time of year in those waters, and consequently an excellent time for raiding. Wickes quickly took five prizes (three brigs, a snow, and a ship), which for him made it "a tolerable successful cruise." The snow, Swallow, was a mail packet from Falmouth bound for Lisbon, and fought for an hour before striking her flag. Men on both sides were wounded, but none killed. In Reprisal, the first lieutenant's left arm was shot off above the elbow, "and the Lieut. of Marines had a musket ball lodged in his wrist." [...] Benedict Arnold may have found the marines to be "the refuse of every regiment"; to others, they were an essential adjunct to operations, and Wickes's crew included a detachment of two of their officers and thirty men.

After selling his prizes in France to pay his crew and maintain his ship, Wickes was joined in April by the Continental brig Lexington (a name that would grace many American warships) and the cutter Dolphin. (She, incidentally, was an English boat, secretly sold to the American service from her home port of Dover.). In May the three vessels set off to try their luck, standing out across the Channel for the Irish Sea. In essence such raiding was identical to privateering; the only difference was that it was done by naval ships under official orders. But to a young naval officer, that probably made it close to ideal. It was daring, exciting, novel, and, when successful, profitable too. Few captains would ask for more in wartime.

Before they left the Bay of Biscay, the squadron encountered a British ship of the line, too powerful for them to challenge. Escaping, they were blown west of Ireland by a gale and took no prizes until three weeks after leaving port. By then they were back in the north side of the Channel; and in a single week they captured eighteen vessels. Satisfied with that, they headed for base and again met a British ship. Reprisal had eighteen guns; her opponent had seventy-four. In the chase that followed, Wickes scattered his squadron, and to lighten Reprisal threw all her guns over, until finally, believing it would increase her flexibility and speed, he sawed through some of her beams. It was a common idea at the time; but it was probably that which brought about his death. Though he escaped from the British once more, he was never able to tell his adventures to his grandchildren. Returning home in September, Reprisal foundered in a gale and was lost with her captain.

Wickes had been a brave man, and his death was a blow to the Continental Navy. Had he lived, he might well have outshone his more celebrated colleague John Paul Jones; and of the two, it could well be argued that Wickes was the more courageous, for when he conducted his pioneering raids, he (unlike Jones) had no guaranteed safe port in France. Wickes paved the way for Jones.

Today Jones is far more widely remembered, and in the context of the U.S. Navy's whole history, that is right [...] But at the time, Wickes's contribution to the immediate cause of American independence was far greater. This is not simply because he captured more prizes; they paid for his voyage, but little more. Instead, the true value of his voyage lay in its political consequences [...]

By helping to heat up Anglo-French antagonism, simmering since France's defeat in the Seven Years' War, Wickes brought vital French support for America that much closer. This was exactly what the American commissioners in Paris wanted, and the French were indeed growing visibly keener. During the summer of 1777, in the French port of Brest, an American privateer (General Mifflin, flying the "Grand Union flag") was saluted with nine guns by Admiral du Chauffault - the traditional signal of the navy of one sovereign state to another.

- Stephen Howarth, To Shining Sea: A History of the United States Navy 1775-1991, London, 1991, p.30-31.

23 July 2026

I'm driving a '48 Cadillac with Thunderbird wings

Thursday music corner: Born in Mississippi in 1928, Ellas Bates - later known by his stage name Bo Diddley - was adopted out by his teenaged mother to her cousin, who later adopted him as Ellas McDaniel. Upon the death of his adopted father when he was five, the family moved to Chicago where he became proficient on the violin, before later switching to guitar. After years of street performances he secured a regular slot at the 708 Club on Chicago's South Side, before recording what would become his first hit records in 1954-55. 

Bo Diddley released 27 studio albums between 1958 and 1996, and scored 10 US R&B chart top 40 hits between 1955 and 1966. Ride on Josephine appeared on his fifth studio album Bo Diddley is a Gunslinger, released in December 1960 on the Checker label. It has been covered by a range of artists including George Thorogood & The Destroyers, Sleepy LaBeef and Van Morrison.

Bo Diddley - Ride on Josephine (1960)


See also:
Music: Bo Diddley - Watusi Bounce (1960-61)
Music: Bo Diddley - Elephant Man (1970)
Music: Van Morrison - Ride on Josephine (2017)

16 July 2026

Looking forward to the Film Festival

Apart from the usual release-day website snafus seemingly afflicting the NZ International Film Festival every year, there are still plenty of great films to look forward to in the 2026 Wellington festival. Here's what I'm looking forward to seeing, mainly in the wonderful Embassy Grand.

Father Mother Sister Brother (dir. Jim Jarmusch, USA, 2025, feat. Tom Waits, Adam Driver, Charlotte Rampling, Cate Blanchett & Vicky Krieps)

Fjord (dir. Cristian Mungiu, Norway, 2026, feat. Renate Reinsve, Sebastian Stan)

Nuisance Bear (dir. Jack Weisman & Gabriela Osio Vanden, Canada, 2026)

No Good Men (dir. Shahrbanoo Sadat, Afghanistan, 2026, feat. Shahrbanoo Sadat, Anwar Hashimi)

Last Man Standing (dir. Gerd Pohlmann, NZ, 2026)

Rose (dir. Markus Schleinzer, Austria, 2026, feat. Sandra Hüller)

Dead Man's Wire (dir. Gus Van Sant, USA, 2025, feat. Bill Skarsgård, Dacre Montgomery, Al Pacino, Colman Domingo, Myha'la)

Fatherland (dir. Pawel Pawlikowski, Germany, 2026, feat. Sandra Hüller, Hanns Zischler)

Whispers in the Woods (dir. Vincent Munier, France, 2025)

The Beloved (dir. Rodrigo Sorogoyen, Spain, 2026, feat. Javier Bardem, Victoria Luengo)

Nambassa Festival (dir. Philip Howe, NZ, 1979)

Every inch of you's a star, now a chauffeur drives your car

Thursday music corner: The Badloves were formed in Melbourne in 1990, originally as DC3 and then, a year later, under the name they're best know as. Influenced by American soul and R&B, the band were signed by Mushroom in 1992 after supporting Hall & Oates. The band released two albums: Get on Board in 1993, which reached number 5 in the Australian charts and was certified double platinum, and Holy Roadside in 1995, which reached number 14 and went gold. The Badloves released nine singles during their 1990s heyday, scoring two Australian top 40 hits: supporting Jimmy Barnes on a cover of The Band's The Weight, which reached number 6 in 1993, and Green Limousine, which reached number 35 in the same year.

The moody soul track I Remember was the second single released from The Badloves' debut album in 1993. Featuring impeccable harmonies, it improved only slightly on its predecessor Lost's number 51 singles chart placing, reaching number 48. It was surpassed by the Barnes single The Weight, which appeared alongside other collaborations with Joe Cocker, Tommy Emmanuel, Diesel, Deborah Conway and Archie Roach on Barnes' seventh album, Flesh & Wood (1993). 

The Badloves - I Remember (1993)


See also:
Music: Jimmy Barnes & the Badloves - The Weight (The Band cover, 1993)
Music: Jimmy Barnes - Flame Trees (Cold Chisel cover, 1993)
Music: The Badloves - Green Limousine (1993)

02 July 2026

We bluff our souls on canteen patios

Thursday music corner: Beck Hansen, better known as Beck, is a Los Angeles-born musician known for his eclectic and experimental recordings since his single Loser became a hit in 1993. He has released 15 studio albums from Golden Feelings in 1993 to Hyperspace in 2019, and from 2002 to 2017 all six of his album releases reached the US top 10. His most successful single Loser reached number 10 in the US charts, and he has scored eight UK top 40 charting singles.

Deadweight was a non-album single released in 1997 on the soundtrack to the Danny Boyle-directed and Ewan McGregor and Cameron Diaz-starring black comedy, A Life Less Ordinary. The song was recorded with the Dust Brothers, and the video for the single was directed by Michel Gondry. Deadweight reached number 23 in the UK singles chart, and number 18 in Iceland. 

Beck - Deadweight (1997)


See also:
Music: Beck - The New Pollution (1997)
Music: Beck - Girl (2005)
Music: Charlotte Gainsbourg & Beck - Heaven Can Wait (2009)

01 July 2026

Prince Eugene's Belvedere

The Upper Belvedere in Vienna, 28 May 2026
The high reputation of Prince Eugene [of Savoy] has endured over the centuries, as has his personal stamp on Vienna with his summer and winter residences being two baroque jewels of the city. His city palais on the Himmelpfortgasse was built by both Johann Bernhard Fischer von Erlach and Johann Lukas von Hildebrand. The building, which has a twelve-bay baroque façade, also has an exquisite interior, including an extraordinary staircase, stone sculptures and frescoes. The building currently hosts the Austrian Finance Ministry.

Eugene's most famous residence was the Belvedere, a historic complex of two palaces and beautiful baroque gardens, just outside the city walls. Johann Lukas von Hildebrand designed and built the Lower and Upper Belvedere between 1712 and 1723. One of Europe's standout baroque landmarks, it is listed together with the rest of Vienna city centre as a UNESCO World Heritage Site. The Lower Belvedere, with its beautiful Hall of Mirrors, was the day. to-day summer home of Prince Eugene, while the Upper Belvedere was conceived with prestige and display in mind, positioned on a rise overlooking the middle of the capital with copper roofs. They were designed to resemble Turkish tents, an allusion to Eugene's victories over the Ottomans. The sumptuous grandeur of the interior includes Herculean figures supporting the vaulted ceiling of the Sala Terrena and the two-storey-high Marble Hall with its ornately painted ceiling.

The gardens between the Lower and Upper Belvedere are a baroque masterpiece in their own right and look down towards Fischer von Erlach's baroque Karlskirche, with its oversized flanking columns. Eugene had an intense interest in horticulture and nature, seeking out rarities and abnormalities. His menagerie was the second largest in Europe after that of King Louis XIV, numbering 43 species of mammals and 67 species of birds, including 'unheard of' species of the time. Eugene was also an avid collector of books and developed friendships with the leading international authors and thinkers of the age, including Gottfried Leibnitz, Jean-Jacques Rousseau and Charles-Louis Montesquieu. More than 15,000 books formed part of a world-class collection together with hundreds of manuscripts and prints, described as follows by Rousseau: 'The Prince's library is very extensive and consists of exceptionally fine books beautifully bound. But what is more remarkable is that there is scarcely a book in it that the Prince has not read or at least looked through. It is difficult to believe that a man who almost alone carries such a public burden for all Europe, who is Field-Marshall and the Emperor's Prime Minister, can find the time to read almost as much as someone who has nothing else to do'

- Angus Robertson, The Crossroads of Civilisation: A History of Vienna, New York, 2022, p.37-8.