26 June 2021

Yes, in my back yard

Dileepa Fonseka has commented on yesterday's approval by Wellington City Council of its new spatial plan, which allows much-needed intensification of housing stock and limits the heritage protection zones council officials had proposed in response to the nimby protests of privileged villa-owners. The spatial plan will help to reshape Wellington City:

As it stands, the spatial plan would shrink protected character areas by 71 per cent, while allowing at least six-storey developments in suburban centres and along key transit routes. That development can happen within “walkable catchments” which were increased to within 10 minutes of all railway stations, instead of five, and within 15 minutes of the central city boundary, instead of 10. While councillors voted not to allow unlimited building heights in the city centre, there would be a minimum building height of six storeys.

I have a certain sympathy for the heritage advocates, and disagree entirely with the currently in-vogue argument that the Edwardian villas are somehow outdated symbols of colonialism. These aren't symbols of oppression, they're just a manifestation of cultural tastes when the city was young. Many of them are splendid examples of weatherboard architecture that represent a major contribution to the built heritage of the city.    

But density advocates, and now a majority of Wellington City councillors, are just making the point that the arbitrary planning decisions holding that 'no-one wants to live in or near medium or high-density' is both wrong-headed and has serious real-world consequences. Medium and high-density living is not for everyone, but plenty of young and old alike would love to own or rent an apartment of their own if it meant not having to live in overpriced houses, or having to flatshare. So would lots of people on the social housing waiting list. 

New Zealand cities and towns have for decades chosen low-density construction and internalised that it's the only way housing should ever be built. But for a comparison all we have to do is look across the Tasman, which is culturally very similar but where huge parts of the major cities have apartment blocks and walkups. Particularly near the train stations, which is great for tackling congestion and pollution. Even in New Zealand we used to build denser forms of housing until the end of the '70s - witness all the suburban brick and tile units that were all snapped up by the landlord class for rental portfolios in the mortgage boom. They're like gold-dust now because there's such huge demand for that type of accommodation, smaller than a standalone family dwelling.

As Fonseka says, outdated thinking is now rightly being challenged and overturned:

Many homeowners would prefer people live in a car, on the street, in a tent, or a tiny-home on some unserviced piece of rural land, than a small apartment right next door.

If Wellington is to retain its reputation as a young and vibrant city, and if it is to address the climate crisis, it needs to catch up from decades of under-building. The rest of the world knows that apartments, units and terraced townhouses are perfectly normal accommodation. Now it's time for the city to grow up, in more ways than one.   

24 June 2021

Escape your inhibitions, let yourself be free

Thursday music corner: Formerly the vocalist in the late-2000s punk band Let’s Wrestle, in this May 2021 single Londoner Wesley Gonzales teamed up with Rose Elinor Dougall, former member of the wonderful Pipettes, to co-write an appealing pop number about Instagram self-help charlatans, with its innovative video produced entirely via the artistic medium of an office photocopier.

Wesley Gonzalez - Greater Expectations (feat. Rose Elinor Dougall) (2021)

17 June 2021

I've acted out my life in stages with 10,000 people watching

Thursday music corner: written by Leon Russell for his self-titled debut album in 1970, A Song For You (not to be confused with Elton John's Your Song from the same year) was first recorded by Ray Charles for his 1993 album My World. Released as a single, it won Charles a Grammy Award for Best Male R&B Vocal Performance, one of the 12 he won during his life and 17 in total, with five Grammys being awarded posthumously after his 2004 death. I love the keyboard settings Charles uses in this 1997 Montreux Jazz Festival performance, which are so pleasingly idiosyncratic. Charles also performed the song at New York's Beacon Theatre in April 2003, as part of Willie Nelson's 70th birthday tribute. 

Ray Charles – A Song For You (Live at Montreux, 1997)

15 June 2021

Richard Ayoade's Norwegian-Nigerian childhood Christmases

Norwegians exchange gifts on Christmas Eve. I felt this was both a ruse to prevent me getting up early Christmas morning and a way to blackmail me into a flurry of chores. My [Norwegian] mother dismissed this as another of my deranged paranoiac fantasies, like how it was safe to go outside after 5 p.m. After the last of the sauerkraut had been washed down with a quenching draught of julebrus, we would clear the table, wipe the table, dry the table, replace the tablecloth, wipe the tablecloth, dry the tablecloth, wash the dishes, dry the dishes, put away the dishes in the cupboard, wipe the cupboard, dry the cupboard, vacuum any dust resulting from opening the cupboard, wipe the vacuum cleaner, put away the vacuum cleaner in another cupboard, wipe down and dry that cupboard, shower, dry ourselves, wash the towels, dry the towels and sit down on the freshly wiped sofa to exchange tokens of esteem. When I say 'we', I mean my mum and I. By this time, my dad would be asleep.

- Richard Ayoade, Ayoade on Top, London, 2019, p.166

See also:
Blog: Film Festival 2014 roundup, 12 August 2014
Blog: My best & worst films of 2011, 2 January 2012
Blog: Film Festival 2011 roundup, 31 July 2011

10 June 2021

You know that I could be in love with almost everyone

Thursday music corner: a single and the opening track from the band Love’s famed second album Forever Changes, in Alone Again Or songwriter Bryan MacLean juxtaposes bleak lyrics with upbeat pop sounds to create an uneasy, heady mix. It has been covered by artists as diverse as The Damned, UFO, Sarah Brightman, the Boo Radleys, Calexico, and Matthew Sweet & Susanna Hoffs. It has also appeared in numerous film soundtracks, including Bottle Rocket, Sleepers and Bunny and the Bull, and the TV series Russian Doll.

Love – Alone Again Or (1967)

03 June 2021

I'm a sensation, you try me once you'll beg for more

Thursday music corner: By some measures the biggest-selling single by a female group of all time, Yes Sir, I Can Boogie was a hit across Europe in the summer of 1977, including topping the UK pop charts for a single week in October of that year. Baccara were flamenco dancers Mayte Mateos and Maria Mendiola, who were discovered performing for tourists on Fuerteventura in the Canary Islands.

Baccara – Yes Sir, I Can Boogie (1977)


See also:
MusicSplit Enz '79, 24 January 2014
Music: The heavenly embarrassment of Abba, 11 October 2013