17 October 2024

Love is just the door that's locked and there's no key

Thursday music corner: The Assembly were a short-lived synth-pop side-project formed by ex-Depeche Mode and Yazoo member Vince Clarke and record engineer and producer Eric Radcliffe, who would later go on to own Blackwing Studios. 

Never Never was the group's only single, and featured the ex-Undertones lead singer Feargal Sharkey on vocals. The Clarke-penned synth ballad reached number four in the UK pop charts in November 1983. Clarke would go on to huge chart success with Andy Bell in Erasure, scoring 34 top 40 UK singles between 1986 and 2007. Sharkey would go on to a successful solo career with five UK top 40 hits, including the chart-topping A Good Heart in 1985, which reached number one in the UK, Ireland, Australia and Belgium.

The Assembly - Never Never (1983)


See also:
Music: Depeche Mode - New Life (1981)
Music: Erasure - A Little Respect (1988)
Music: Undertones - My Perfect Cousin (1980)

13 October 2024

For the fashion-forward lady of 1924

Ladies: in case you're feeling fashion-forward - n.b. fine cotton woven bloomers in navy or white, a snip at 1/11 1/2, down from 2/6 (Hugh Wright's of Queen St advertisement, NZ Herald, 13 October 1924, via Papers Past)



08 October 2024

Jane Austen's letters to Cassandra

It is frequently said of Austen’s letters that they ‘illuminate’ the world of her fiction. This is certainly the case, though to say so is hardly to say very much. Sometimes, it is true, Austen comments directly on work in progress – in particular, on the earlier novels, Sense and Sensibility, Pride and Prejudice and Mansfield Park. (In a famous letter written just after the publication of Pride and Prejudice in 1813, she tells Cassandra that she is ‘vain enough’ over her book, but thinks it ‘rather too light & bright & sparkling; – it wants shade.’) But what advocates of Austen’s correspondence usually mean is that the letters deal in a general way with the same topics explored in the fiction: marriages and family life, parties and balls, domestic entertainments and the now-antiquated courtship rituals of the early 19th-century provincial English gentry.

Yet with Cassandra in mind, one wants to put a finer point on it. Both Austen and Cassandra received marriage proposals at different points in their lives; Cassandra was in fact engaged to be married in 1797, only to have her fiancé die of a fever in the West Indies. Austen received at least two proposals in her youth, both of which she turned down. Biographers have made much of a mysterious ‘gentleman’ at Lyme Regis in 1804-5 who, according to Austen’s niece Caroline (who heard about it from Cassandra), had ‘seemed greatly attracted by my Aunt Jane ... I can only say that the impression left on Aunt Cassandra was that he had fallen in love with her sister, and was quite in earnest. Soon afterwards they heard of his death.’ Whatever one makes of the story (and Austen’s own part in it goes unrecorded) neither she nor Cassandra showed much real inclination for matrimony later in life. One can’t help but feel that both found greater comfort and pleasure – more of that ‘heartfelt felicity’ that Emma Woodhouse finds with Mr Knightley, or Elizabeth Bennet with the handsome Darcy – in remaining with one another.

The letters from Austen that Cassandra allowed to survive testify to such a primordial bond. Virginia Woolf observed of Austen’s fiction that ‘it is where the power of the man has to be conveyed that her novels are always at their weakest.’ Perhaps this is because men are inevitably inferior to sisters...

- Terry Castle, 'Sister-Sister', London Review of Books, 3 August 1995

03 October 2024

If you wanna act the fool, walk away and leave me

Thursday music corner: American blues and soul singer Syl Johnson (b. Mississippi, 1936, d. Georgia 2022) is perhaps best known for a song covered by other artists: Is It Because I'm Black (Ken Boothe and Delroy Wilson). He also released a version of Take Me to the River before labelmate Al Green's own single release, recorded with the same band. Johnson released at least 19 studio albums from 1968 to 2010, on a range of labels.

Johnson released his third album Back For a Taste of Your Love in 1973 on Hi Records, featuring Anyway the Wind Blows as track four.

Syl Johnson - Anyway The Wind Blows (1973)


See also:
Music: Syl Johnson - Is It Because I'm Black (1969)
Music: Syl Johnson - Annie Got Hot Pants Power (1971)
Music: Syl Johnson - Take Me to the River (1975)