Wilderpeople also succeeds due to its accomplished local cast, chief of which is the comedic and dramatic prowess of the Bunteresque young Julian Dennison, who never puts a foot wrong despite being surrounded by experienced talent. Veteran Sam Neill builds a perfect craggy bravado, Rima Te Wiata brings a warm and mumsy charm, and a supporting cast of frustrated officialdom, bush-dwelling oddballs and bounty-seeking chancers rounds out a grand chase movie. Commendably, this is Waititi's least indie-styled production: this is a family film, and one with a strong heart. And it has every chance of attaining popularity overseas too, with such universally likeable characters.
05 April 2016
With each film, Taika Waititi grows more confident and assured, and Hunt for the Wilderpeople follows his earlier two minor local classics, Boy and What We Do in the Shadows, into even broader appeal. Derived from an unimpeachable 20th century popular literature source, the writing of bush legend Barry Crump, but deftly updated for modern audiences, Wilderpeople makes powerful use of spectacular New Zealand bush landscapes and harks back to the heyday of local filmmaking in the 1970s and 80s when Sleeping Dogs (Sam Neill's first major film, from 1977), Smash Palace (featuring everyman Bruno Lawrence) and Bad Blood (the Stanley Graham story) all went bush to find drama and self-realisation. In fact, many of these earlier films were also inspired by the 'good keen men' written about by Crump and his fellow travellers.