28 February 2023

A New Zealander makes powerful enemies at the BBC

Presiding over the [BBC] Home News Division, and therefore responsible for setting the overall tone and content, was the domineering and ultra-conservative New Zealander, Tahu Hole. He had been appointed to the job in May 1948 by William Haley, who valued what he saw as the man's 'tremendous streak of independence'. 'I was absolutely certain that whether he did right or wrong, he would not give way to anybody inside or outside the Corporation.' It was an assessment that turned out to be all too accurate. Among Hole's most infamous decrees was the requirement that at least two reliable outside sources were required to verify the accuracy of every news story. Hole illustrated this by describing what would happen if a BBC correspondent called in with 'a news story which said that, let us say, the Wailing Wall in Jerusalem had been damaged by whatever - a bomb or an earthquake'. 'If we got that from our own correspondent we wouldn't use it,' he said bluntly, 'because unless our correspondent had been right next to the Wall when it was damaged he would have got it from someone else and he might conceivably have been the victim of a hoax... We would have to wait until we had satisfied ourselves from attributable sources that it was so.' For Hole, the over-arching principle was simple: 'Accuracy at all costs.' Leonard Miall, who was now the BBC's Washington correspondent, saw things rather more negatively. "Tahu Hole's concern was that the News should never make a mistake: it didn't matter how slow it was, how dull it was, as long as it didn't make a mistake.' He remembered how in 1950 he had been among a tiny handful of reporters who had been given advance information from White House sources that there was to be a military response to North Korea's invasion of the South, yet was prevented by Hole from breaking the story. I just simply lost my temper, and I said "Well, it's no good trying to expect Correspondents to have any initiative if this is what you do".
 
Hole believed equally strongly that consistency was as important as accuracy, and that news could not be told properly through pictures. The ensuing conflict between his News Division and the television department at Alexandra Palace was described by one insider as 'like a battle between a school of whales and a herd of elephants... two powerful forces locked against each other'. One source of friction was Television Newsreel, which Alexandra Palace had launched back in 1948 - a short, lively magazine that pulled together brief filmed reports on sporting events, ship launches, disasters, sundry royal visits and the like. Its great strength lay in its camerawork and editing - unsurprisingly, since it was made by television's own film unit. Its ability to deal with the very latest news of the day was less striking, and this provided the excuse for Hole to make a territorial grab, insisting that News Division take charge. When the Hole-approved format, under the title of News and Newsreel, was first broadcast in 1954 the Daily Mail called it 'a mixture of the dull, trivial and ineffectual'.

Tahu Hole's tenure at the BBC did eventually come to an end - though a rather ignoble one. In 1958, the Director-General Ian Jacob shunted him sideways, putting him in overall charge of the BBC's administration and making room for Hugh Carleton Greene, who would become head of an enlarged 'News and Current Affairs' directorate. Two years later, Greene took over the top job from Jacob. 'I realised when I became Director-General that I must do something":

Tahu Hole had an appallingly corrupting effect on the characters of otherwise good people. People used to bring him in their little bouquets of flowers from their gardens to present to him as if he was some sort of heathen idol. To speak quite frankly, I have had to do with the Nazi leaders in Germany and I have never had such a sense of evil from any of them as I had from Tahu Hole.

It was a devastating assessment. And it was with the full backing of the Governors that Greene - 'like a snake striking' as one of his colleagues put it - insisted on Hole's immediate resignation.

- David Hendy, The BBC: A People's History, London, 2022, p.385-6.

See also:
Blog: Later With Jools Holland, 5 May 2011
Blog: Mock The Week, 20 February 2010
BlogGuardian angels sung this strain, 15 September 2008

23 February 2023

When you held me in your handsome fist

Thursday music corner: Folk singer Suzanne Vega (b.1959) grew up in New York and rose to prominence after winning a major record label contract in 1984. Her self-titled debut album Suzanne Vega (1985), was a critical success in America and was awarded platinum status in the UK. Marlene On The Wall from the album was promoted in a music video that achieved considerable airplay on music TV channels MTV and VH1. Vega's second album Solitude Standing (1987), which topped the album charts in New Zealand and Sweden, spawned the innovative hit single Luka. Later Vega broke new boundaries by endorsing a bootleg remix of her a capella track Tom's Diner from UK dance producers DNA, which topped the charts in Germany, Austria and Switzerland, and reached number 2 in the UK pop charts in July 1990. Vega has to date released 13 studio albums, and her most recent album release was the live album An Evening of New York Songs & Stories (2020).

Suzanne Vega - Marlene On The Wall (1985)


See also:
Music: Suzanne Vega (feat. Richard Thompson) - As Girls Go (1992)
Music: Tori Amos - Professional Widow (Armand's Star Trunk Funkin' Mix) (1996)
Music: Marlene Dietrich - Lili Marlene (1945)

17 February 2023

Nature red in tooth and claw

Photos from a lunchtime dash around Wellington Zoo, during an all-day staff workshop on the premises.

A serval cat keeps an eye on things

Meerkat sentry duty

Lion chums

"Paint me like one of your French girls"

Otter cuddle buddies

16 February 2023

Another luke-warm pop thing had climbed onto the cross

Thursday music corner: Venerable English alternative punk rockers Nightingales formed in Birmingham in 1979 and attracted the attention of John Peel, featuring often on his legendary Radio 1 show. Centred around vocalist Robert Lloyd, the group continued to perform through the first half of the 1980s until splitting up in 1986 after a short-lived band lineup with four new members. 

Since re-forming in 2004 the band have been highly productive, and their greater public profile was sealed with the release of the 2021 documentary King Rocker, presented by long-standing Nightingales fan, the comedian Stewart Lee. (NZ viewers can see the documentary on TVNZ+).

Nightingales have released 12 studio albums plus two live albums since 1982, with the first three albums appearing between 1982 and their breakup in 1986. Their last three albums since 2018 have been released by Tiny Global Productions. Bloody Breath appears on their most recent album, 2022's The Last Laugh

Nightingales - Bloody Breath (2022)


See also:
Music: Nightingales - Idiot Strength (1981)
Music: Fuzzbox - International Rescue (1989) 
Music: Gemma Rogers - My Idea of Fun (2022)

14 February 2023

The observance of Valentine's Day

Valentine's Day falls to-day, but the observance of the occasion belongs to a past generation. It was on February 14 that in former, times in England, Scotland, and some parts of Europe each young bachelor and maid was assigned by lot a member of the opposite sex as a "valentine" for the year. This was a form of mock betrothal which frequently led to real engagements and marriages. In later years the practice developed into a habit among young people of exchanging sentimental caricatures or "valentines." It is many years since the observance of the day in New Zealand was allowed to lapse.

- 'Local & general news', NZ Herald, 14 February 1923, p.8

13 February 2023

Life in the faster lane

An examination of English bishops' and royal itineraries from the 12th to 15th centuries suggests that travellers routinely covered just 20 miles day. They did not try to travel fast unless it was essential for them to do so: when pressed, those wealthy enough to pay for changes of horses could go much faster.

There are only a few instances of people covering more than 70 miles in a day before 1330. One is the news of Edward I's death at about 3pm on 7 July 1307 at Burgh by Sands near the Scottish border, which reached his heir in London on 11 July. This entailed a journey of more than 300 miles at around 75 miles per day.

The maximum speed of news increased in the 14th century. When Edward III sent a messenger on business to Avignon in 1343, his man took 7.5 days to cover the 730-mile route, including the sea crossing: an average of 97 miles per day.

The establishment of news relays by Edward IV and Henry VII hugely increased the speeds at which information could travel. News of the capitulation of Berwick in 1482 (during an English invasion of Scotland) was brought south by a relay of 10 riders at the speed of 170 miles per day.

In the 16th century, the establishment of the postal routes facilitated even faster speeds. So too did the breeding of fast horses and legislation ensuring the better maintenance of the highways. By the 1570s, the post from Berwick was expected to travel to London in 42 hours in summer and 60 hours in winter, implying minimum speeds of 194 and 136 miles per day respectively. By the end of the century, ordinary citizens could pay 2d per mile to ride with the post, often travelling at 10mph - twice as fast as before 1330.

- Ian Mortimer, 'The age of transformation', BBC History, February 2023, p.26

See also:
BlogLondon mail coach departure points, 24 September 2015

06 February 2023

100 years ago today in Wellington: mercantile concerns

The Wellington Dominion newspaper of 6 February 1923 didn't mention Waitangi Day on this day 100 years ago, because the occasion wasn't first commemorated until 1934, and didn't become a public holiday until 1974. The Dominion's news columns were mainly concerned with the collapse of the Lausanne Conference in Switzerland (although '[p]roceedings at the Conference have to appearance averted any danger of an early resumption of hostilities between Turkey and the Allies'). But it did feature a range of pictorial advertisements that give a flavour of the retail environment in the capital in 1923.
 
"MOTHER! Clean Child's Bowels with 'California Syrup of Figs'*

(A laxative invented in 1879, California Syrup of Figs or 'Califigs' was produced by the California Fig Syrup Company of Reno, Nevada)


"A useful apron for needleworkers"

"Strang's 'Maori' Coffee"

"Wrigley's 'After Every Meal'"

"You may pay more for Closed car, but you can't get more in real motor car essentials..."

"You travel care-free on 'Star' Cord Tires"

02 February 2023

I'm gonna keep on schemin' til I can make you my own

Thursday music corner: Doris Troy (1937-2004) was born Doris Higginsen in the Bronx and later took on her grandmother's surname Payne, under which name she co-wrote her own biggest hit. Performing under a stage name inspired by Helen of Troy, Just One Look, recorded in a single 10-minute session in October 1962, was a top 10 US hit in 1963, and became a huge influence on a generation of British musicians excited by rhythm and blues from across the Atlantic. Famous artists who have covered Just One Look include Bryan Ferry, the Hollies, Linda Ronstadt and Harry Nilsson, the latter in a duet with Lynda Laurence.  

Troy moved to London for five years from 1969 to 1974, signing to Apple Records and releasing a star-studded self-titled 1970 album that boasted guest appearances from the album's co-producer George Harrison, Stephen Stills, Klaus Voormann and Ringo Starr. The album and its storming lead single Ain't That Cute sadly failed to chart, but the album was successfully reissued in 1992 and 2010.

Troy's origins and career were celebrated in the 1983 musical Mama, I Want to Sing!, which has been performed over 3500 times and is the longest running black off-Broadway musical in American history.

Doris Troy - Just One Look (1963)

See also:
Music: Barbara Lewis - Hello Stranger (1963)
Music: Tammi Terrell & Marvin Gaye - Your Precious Love (1967)
Music: Archie Bell & the Drells - Tighten Up (1968)