14 November 2014

The Ox

Just the bass of The Who's John Entwistle, otherwise known as 'The Ox', from the epic live recording of Won't Get Fooled Again at the Shepperton Studios on 25 May 1978. This was the last live appearance with drummer Keith Moon, who died on 7 September of the same year. Entwistle was famed for his taciturn stage presence, but anyone would've paled in comparison to his bandmates. He does look rather morose and blasé about the whole thing in this clip - just playing astonishing bass runs on one of the most enduring rock tracks of the 20th century, nothing to see here...

See also:
Music: The Who at Monterey Pop, 31 January 2014
Music: L-o-o-o-o-ng songs, 11 June 2008
Music: The Who - The Real Me (live, 1979)

12 November 2014

Competing in a market of fluff and titillation

From an interesting discussion with Russell Brown on 'Media Take' the week before last, on the outsourcing of Maori and Pacific broadcasting from within TVNZ to external providers:

'[These shows] have been around for 30 years. [Like] Tagata Pasifika: there is nothing else on TV for our Pasifika whanau. And Waka Huia and Marae, [they] are the programmes that have documented our histories. We can't compete in a market that's looking for fluff and titillation. There needs to be a place that by purpose and by design records and represents the oral histories, the recorded histories of our people in this country, in a mainstream way. Not everything has to come through Maori TV'.
- Marama Fox MP, 'Media Take', Maori TV, 28 October 2014
I completely agree with Fox - it's vital that Maori stories and culture are shared by dedicated experts to the largest possible audience. But I'd go one step further and point out that the same exposure should be everyone's right in New Zealand, and is what we had via TVNZ until its public service remit was killed off, and which was then extinguished more comprehensively by the closure of public service digital channel TVNZ7. What we have now - a corporate, ad-driven national broadcaster that only serves advertisers, not the public interest, is a ridiculous embarrassment. And as commentator Richard Pamatatau points out in the same programme, it's a broadcaster that increasingly fails to reflect the diverse multicultural reality of modern New Zealand:

'What will happen is that the expertise from inside TVNZ that can correct what will become an increasingly white broadcaster or publisher won't be there. So when TVNZ risks making a mistake around broadcasting something that is connected with the Pacific population, the in-house expertise won't be there, and then it becomes an organisation that is less credible, and it's not best practice. It becomes "the white man's view of the world"'.
- Richard Pamatatau, Pacific Island Media Association, ibid.
See also:
TV: Watching 7 Sharp (so you don't have to), 10 August 2014
TV: Diversifying TV1's schedule, 25 March 2014
TV: TV flashback 1976, 12 February 2014

11 November 2014

Obama's domestic legacy

Joe Biden called it straight. When Obama signed the Affordable Care Act into law in March 2010, the vice-president was heard to whisper by his side, "This is a big f...... deal!" It really is, too.  This is as good as it gets for Democrats of every vintage [...]

This is a political legacy all on its own and Obama has his name on it. Ten million Americans who had no insurance before 2010 do so now. Premiums are lower than feared and the rate of the uninsured has fallen from 20 percent to 15 percent. Into the bargain, Obamacare has also created 9 million jobs.

Which is the second part of the case for Obama. The inheritance from George W Bush was awful but, where Reagan inflated the deficit, Obama has reduced it. The unemployment rate, which almost doubled under Bush, has fallen from 10 percent to less than 6 per cent under Obama. The US$800 billion pump-priming plan attracted criticism but it helped to stimulate a recovery that has been quicker than in any European nation [...]

Obama has also won victories in the chronic culture war. His first executive act was to sign the Fair Pay Act into legislation. Two women have been appointed to the Supreme Court and Obama lifted the ban on gays in the military, another cause that eluded Clinton.

Obama has actually done, in other words, what Democrats have before only talked of doing. The gap between the appearance and the reality is precisely because Obama was such a good talker. Ascending to the White House on a wave of gorgeous sound, Obama excited hopes that could never be satisfied but that should not obscure the fact that he has achieved more than the Kennedys or Clintons that British politicians so oddly revere.

- Philip Collins, The Times, 7 November 2014 (reprinted in Dominion Post, 8 November 2014)

09 November 2014

Guy Fawkes 2014

Photos of last night's Guy Fawkes fireworks display in Wellington harbour, taken from Queens Wharf. It was a perfect night for the display: mild, with no wind.

See also:

08 November 2014

Two-thirds of the distance to the Moon

Lyall Bay, 8 November 2014

During my recent long weekend drive to Hawke's Bay my own little exemplar of vintage motoring had a significant birthday. Not content with merely passing 20 years on the road this year, my 1994 Ford Laser GL wagon (KE model) also passed 250,000km. I've had the Laser slightly more than three years, and in that time have added only 18,000km to the odometer, so it's hardly been a challenging workout. It's been a good reliable runabout, particularly good at long-distance drives. And it's nice to think that it was actually made in New Zealand too, having been turned out by the Ford factory in Wiri before that was closed down in 1997.

07 November 2014

Something For The Weekend

Commemorating the 44th birthday of Northern Irish singer-songwriter Neil Hannon today, here is the first charting single of his band The Divine Comedy, which climbed to number 14 in the UK charts in June 1996. This was the first of a run of 12 UK top 40 singles for the band over a period of eight years. Something For The Weekend, if memory serves, was written for Kate Beckinsale - note the repeated lyrical references to Cold Comfort Farm - and features her giggling at the opening and during the bridge. The track was from the band's breakthrough album Casanova, which also contains two songs that were originally written as potential themes for the classic sitcom Father Ted. The video, shot in and around Venice's St Mark's Square, features the typically dapper Hannon and a model (not Beckinsale). Aside from 10 Divine Comedy albums, Hannon has also gone on to make two appealingly eccentric concept albums about cricket with collaborator Thomas Walsh of the band Pugwash, under the name The Duckworth Lewis Method.