23 October 2025

Her eyes no longer study her emptiness

Thursday music corner: Dodgy are a London indie band formed in Hounslow in 1990, and who attained their greatest exposure during the mid-1990s Britpop boom. Their second album Homegrown reached number 28 in the UK album charts in 1994 and was certified Gold, while their third, Free Peace Sweet, reached number 7 and was certified Platinum. Dodgy has released seven studio albums, and has scored nine UK top 40 singles, with the most successful being the breezy Good Enough, which reached number 4 in the UK pop charts in 1996. Their most recent album, Hello Beautiful, was released in September 2025.

The energetic, The Who-influenced In A Room was the first single released from Free Peace Sweet, on 27 May 1996, preceding Good Enough. It reached number 12 in the UK charts.

Dodgy - In A Room (1996) 


See also:
Music: Dodgy w/ the Kick Horns - Making The Most Of (1995)
Music: Dodgy - Good Enough (1996)
Music: Dodgy - Every Single Day (1998)

09 October 2025

But first you must learn how to smile as you kill

Thursday music corner: Marianne Faithfull, who died aged 78 in January 2025, was an English singer and actress, famed at the time for her romantic relationship with the Rolling Stones' Mick Jagger from 1966 to 1970. She released 22 studio albums from 1965 to 2021, and released a posthumous EP Burning Moonlight this year. Her first two albums reached the UK top 20, and her 1979 album Broken English reached the top 5 in West Germany, Austria, Sweden and New Zealand. Faithfull also had five UK top 40 singles. She appeared in a range of films including The Girl on a Motorcycle (1968), Tony Richardson's Hamlet as Ophelia (1969), and Sofia Coppola's Marie Antoinette as Empress Maria Theresa (2006). 

Faithfull's interpretation of John Lennon's Working Class Hero appeared on her Grammy-nominated Broken English album and was its third single release after The Ballad of Lucy Jordan and the title track.

Marianne Faithfull - Working Class Hero (1979)


See also:
Music: Marianne Faithfull - Come Stay With Me (1965)
Music: Marianne Faithfull - The Ballad of Lucy Jordan (1979)
Music: Marianne Faithfull - Burning Moonlight (2025)
Interview: 'I always knew I was something quite extraordinary' (1979)
 

02 October 2025

If I give you a smile you can sell it for me

Thursday music corner: Whistler were a London indie band formed by ex-EMF guitarist Ian Dench. The band was active from around 1998 to 2000, and released two albums on the Wiiija label, the self-titled Whistler (1999) and Faith in the Morning (2000). The wistful If I Give You A Smile features lead vocals by Kerry Shaw. In 2007 Dench wrote Beautiful Liar, a duet between Beyonce and Shakira, for which he won an Ivor Novello award. He was also nominated for two Grammy Awards in 2010 for production work on Beyonce's album I Am Sasha Fierce

Whistler - If I Give You A Smile (1999) 


See also:
Music: Whistler - Don't Jump in Front of My Train (1999)
Music: Bis - Sweetshop Avengerz (1997)
Music: Cornershop - Lessons Learned from Rocky I to Rocky III  (2002)

01 October 2025

The Wild West character of Hawke's Bay settler towns

Although harking to British urban ideals, Hawke's Bay's settler-age towns looked distinctly frontier American, in part a function of available building materials. Where stone was available - such as Oamaru - New Zealand's settlers emulated Britain. Where it was not, meaning virtually every other frontier town in New Zealand, the style of the age was usually Wild West. Common build materials lent force to common social values: Napier, Hastings, Wairoa, Waipukurau or Waipawa could have done double duty as Dodge City. All shared the same rows of clap-board buildings, limed, dusty roads, the sense of newness with untamed verges and a landscape where trees had yet to grow, and the piles of detritus dumped higgledy-piggledy in empty sections. Even the hitching-posts outside the saloons were much the same; and inside them, men on both sides of the Pacific did 'full justice' - as the period term usually put it - to whiskey, cards and billiards.

Provincial life swirled around these towns, a complex, sophisticated whirl of events suffused with the values of the time, particularly self-betterment - financially, socially and intellectually. This was pushed along in Napier with the help of the Athenaeum and Mechanics Institute, a library opened in 1863. As McLean remarked, the 'want of such a place' had been felt for 'a very long time'. By 1877 the Athenaeum, solidly housed in in Browning Street premises, owned some 1500 books. Education sometimes doubled as entertainment; one Napier visitor in the 1880s attended a 'free lecture on spiritualism in the Hoadley salerooms' and thought the 'larrikins were so noisy that I almost thought there would be ructions'.

Much evolved around local hotels. Despite the hopes for town halls and athenaeums, social life in New Zealand's rugged colonial frontier inevitably focused on hotels and their public bars. These were the public centres of their towns in practise, offering not just accommodation but spaces for townsfolk to gather and socialise. Business deals were often made in them - and in Havelock North, hotels even provided a public space for inquests. They were, in short, gathering places for their communities, the 'hub of the countryside', as one settler put it. Dozens flourished across Hawke's Bay. In Napier, there were four in Shakespeare Road alone. Others around the district included Wairoa's Clyde Hotel, the Duke of Edinburgh in Porangahau, Waipawa's Empire Hotel, the London Hotel on Napier's spit, the Tavistock in Waipukurau, the Sawyer's Arms in Hampden (Tikokino), and the Patangata Hotel.

- Matthew Wright, The History of Hawke's Bay, Wellington, 2017, p.108.