27 July 2024

How Lewis Lapham knew the CIA wasn't for him

Some readers saw a contradiction in Mr. Lapham's affluent life and his stalwart liberalism. But he said he made his choice soon after graduating from Yale, when he applied for a job with the C.I.A., then a bastion of Ivy League elitism.

The first question he was asked, he said, was "When standing on the 13th tee at the National Golf Links in Southampton, which club does one take from the bag?"

"They wanted to make sure you were the right sort," he explained.

He found the question off-putting and dropped his spy ambitions for a career in journalism, although he said he knew the answer: a 7- iron.

- Robert McFadden, 'Lewis H Lapham, Harper’s Editor and Piercing Columnist, Dies at 89', New York Times, 24 July 2024

Democracy is an unending process of humbling unconstrained power

The suggestion that the problem of abusive power should be central to how we think about democracy is a vital clue why it can be considered indispensable everywhere. If democracy is understood as an unending process of humbling unconstrained power, then we must abandon all earlier efforts to link it to arrogant first principles. 'Democracy is not figurable,' writes the French scholar Jean-Luc Nancy (1940-2021). Like water, it has no fixed form or substance. Not only does it vary through time and space, as we have seen, but its defiance of fixed ways of living and refusal of all forms of top-down power masquerading as 'normal' or 'natural' are compelling. Democracy has a punk quality. It is anarchic, permanently unsatisfied with the way things are. The actions unleashed by its spirit and institutions create space for unexpected beginnings. Always on the side of the targets and victims of predatory power, democracy doubts orthodoxies, loosens fixed boundaries, widens horizons and pushes towards the unknown.

Thinking of democracy as a shape-shifting way of protecting humans and their biosphere against the corrupting effects of unaccountable power reveals its radical potential: the defiant insistence that people's lives are never fixed, that all things, human and non-human, are built on the shifting sands of space-time, and that no person or group, no matter how much power they hold, can be trusted permanently, in any context, to govern the lives of others. We could say, thinking back to the age of the first popular assemblies, that democracy is a means of damage prevention. It's an early warning system, a way of enabling citizens, and whole organisations and networks, to sound the alarm whenever they suspect that others are about to cause them harm, or when calamities are already bearing down on their heads. Nietzsche famously complained that democracy stands for the disbelief in rule by elites and strongmen. It does, and for good reason. Democracy brings things back to earth. It serves as a 'reality check' on unrestrained power. It is a potent means of ensuring that those in charge of organisations don't stray into cuckoo land, wander into territory where misadventures of power are concealed by fine words, lies, bullshit and silence.

- John Keane, The Shortest History of Democracy, Melbourne, 2022, p.197-8

25 July 2024

Maybe a life of cheap wine and Bukowski

Thursday music corner: Dead Flowers were a New Zealand indie rock band that released three albums on Murray Cammick's Wildside Records from 1993 to 1998: Skin of a Stone in 1993, Sweetfish in 1994, and their final, self-titled, album Dead Flowers in 1998. All three albums reached the New Zealand top 40 charts, and the band had early successes, being selected to support Guns 'n Roses and Pearl Jam, and playing the first Big Day Out in 1994. 

The acoustic-driven I Don't See Anyone At All was on the band's third and final album, which was recorded in Sydney and Auckland, with the latter sessions involving former Split Enz and Crowded House member, Eddie Rayner. 

Dead Flowers - I Don't See Anyone At All (1998)

See also:
Music: Dead Flowers - I Wanna Know (1998)
Music: Bailterspace - Splat (1995)
Music: HLAH - Spanish Goat Dancer (1994)

18 July 2024

So isolated that she thinks that the army is the place where a man ought to be

Thursday music corner: Seventy-three-year-old English singer-songwriter Graham Parker attained prominence in the second half of the 1970s with his band the Rumour, which was comprised of ex-members of British pub-rock bands including Brinsley Schwarz and Ducks Deluxe. Parker has released 25 albums throughout his career; the first five from 1976 to 1980 were with the Rumour. (He also released a further two albums with them in 2012 and 2015). He has scored two UK top 40 hits - one in 1977 when the Pink Parker EP (Hold Back The Night / Let Me Get Sweet With You) reached number 24, and one the following year when (Hey Lord) Don't Ask Me Questions reached number 32.

Squeezing Out Sparks was Parker's fourth album with the Rumour, and was released in March 1979. It won Village Voice's end-of-year critics' poll award, and has featured in the Rolling Stone top 500 greatest albums chart. The self-loathing rock of Local Girls was the second track on the album, and its third single after Protection and Discovering Japan.

Graham Parker & the Rumour - Local Girls (1979)  


See also:
Music: Graham Parker & the Rumour - (Hey Lord) Don't Ask Me Questions (1978)
Music: Graham Parker & the Shot Steady Nerves - Wake Up Next To You (1985)
Music: Graham Parker - The Madness of Love (Richard Thompson cover, 1995) 

11 July 2024

Bait your hook and keep on trying

Thursday music corner: The Marvelettes were a 1960s girl-group formed of Michigan school friends, who attained chart-topping success in 1961 with their recording of Please Mr Postman. This was Tamla Motown's first Billboard Hot 100 number one single, and was famously covered by the Beatles two years later on their second album, With the Beatles. (The Carpenters also took it to number one in 1975). 

The Marvelettes had 10 US pop chart top 40 singles from 1961 to 1968. Too Many Fish In The Sea was the Marvelettes' fourteenth single, and their most successful single release of 1964. It also appeared on their 1966 compilation The Marvelettes' Greatest Hits, which reached number four on the US R&B albums charts.  

The Marvelettes - Too Many Fish In The Sea (1964)


See also:
Music: The Marvelettes - Beechwood 4-5789 (1962)
Music: The Marvelettes - Don't Mess With Bill (1966)
Music: The Backbeat Band - Please Mr Postman (1994)

09 July 2024

Joel Meyerowitz: the heart of the photographic moment

By way of illustration he cites the experience of walking down a street in Paris. "There was a famous bakery, Poilâne, with just a tiny doorway, and as you're walking along smelling the petroleum-laden air of the street, you walk past the doorway and you pass through a brief zone of sugar and butter on the air, and you immediately want to go in there. You take two more steps and you're out of the sugar-butter atmosphere, but in the moment I passed through it I was hungry for it, and I imagined and fantasized and wanted it! And then a step later it was gone. I remember thinking: That's photography! You are in a zone for a split second, you recognize photographic moment in the place where you are. Bang! A picture! It's as instantaneous and subtle as that. Something wakes me up! Suddenly I'm alert, and I can see everything happening around me on the street. And instantly try to put a frame around it.

And so I thought that that fragility of experience, that evanescence, is at the heart of the photographic moment. And color photography satisfies the generosity of that moment, and black and white reduces that to a kind of figuration; it's a graphic reduction. And so I had to ask myself: Do I want to work in this reductive method, or do I want the full expressiveness of the world I walk through and that I perceive and read with my entire body and all my senses? And I knew that color offered me that range, so I felt that I had to stand up for it. I made these comparison pictures to make an argument for accepting color."

- Joel Meyerowitz & Robert Shore, Joel Meyerowitz: A Question of Color, London, 2023, p.55

See also:
Blog: Cindy Sherman meets Cate Blanchett, 8 May 2022
Blog: Cindy Sherman: chameleon, comedian, 15 January 2017
Blog: Ans Westra: Wellington 1976, 30 June 2013

08 July 2024

The decaying remnants of the Buran space shuttle

Only the most intrepid urban explorers have paid the survivors of the [Russian space shuttle] Buran class a visit, a mission that is itself almost intergalactic in its boldness and ambition. First, Baikonur lies in Kazakhstan's desert steppe - a full day's train journey from the largest city Almaty - at a point where both railway lines and roads terminate into a lunar-like wasteland. Second, it occupies a vast, heavily guarded site. Effectively a mini-republic leased to the Russian Federation, it was originally chosen by Soviet officials for its distance from settlements and prying eyes. The working spaceport contains relics from the glory days of Yuri Gagarin, the first man to fly into outer space, as well as launch pads for the current Soyuz programme. Somewhere in between lie site 112A and hangar MZK. Here, two incarnations of the Buran rest under a shroud of bird droppings, their cockpits stripped of instruments and their scaffolding in collapse. Explorers describe secretly hiking across the desert under cover of night, before shining their torches into this vast, echoing mausoleum to cosmic dreams.

The more important craft is OK-1K2 'Ptichka' - meaning 'little bird' - the second in the class to be built and intended for its first space mission in December 1991. Its neighbour is OK-MT, a test vehicle that was slated to be burned in the atmosphere as part of an experimental unmanned launch. Neither of these is the original Buran that made the only space flight. This was destroyed at Baikonur in 2002, when the roof of its hangar collapsed in an earthquake, resulting in the deaths of eight workmen. Broken instruments and torn blueprints are strewn around the complex. The buildings are occasionally patrolled by guards and, more regularly, by bats, which flit about the cathedral-like heights.

Where the American Space Shuttles occupy pride of place in national museums, these spacecraft have been left to decay in the desert. They are deeply ambiguous objects. On the one hand, they are a symbol of the past: of the Cold War, the space race and the former USSR, whose fragmentation left them marooned in Kazakhstan, far from Moscow. On the other, they whisper of an alternate future: of voyages never made, discoveries never celebrated, corners of the cosmos uncharted. In a small way, they offer a vision of a 21st-century Soviet Union.

- Oliver Smith, Atlas of Abandoned Places, London, 2022, p.154

See also:
Blog: Russians in Queen Charlotte Sound, 15 December 2023
Blog: Mr Putin departs Brisbane, 16 November 2014
Blog: Under a fire that seemed pouring from all sides, 9 October 2012

07 July 2024

The UK general election under proportional representation

"Labour gained over 200 seats but their vote share increased by less than two percentage points to 34%"

The UK general election is just a periodic reminder of how unfair and distortional the UK first-past-the-post (FPP) electoral system is. While Sir Keir Starmer's Labour Party have stormed to a large parliamentary majority, it is not bolstered by the knowledge that a large proportion of the British electorate have actually voted for them. The above quote is from the BBC, which also notes that Reform won 14 percent of the vote but only five seats, which is 0.8 percent of the total seats. Notably, the Green party also won 6.8 percent of the vote, but only four seats (0.6 percent of the total seats).

Fortunately the Electoral Reform Society has produced a simulated UK general election conducted under proportional representation, which illustrates that to form a government comprising a majority of voters, Labour (236 seats under PR) would need to form a coalition or other similar arrangement with both the Liberal Democrats (77 seats) and the Greens (42 seats), giving a government of 355 seats. The Conservatives (157 seats) could equally form a coalition with Reform (94 seats) and the Liberal Democrats to give a government of 328 seats. The latter would be a flimsy majority, though.

Source: Electoral Reform Society, 2024


02 July 2024

Robert Cecil's Elizabethan intelligencers

For more than a century, it lay undisturbed in the National Archives: a single sheet of paper, headed The names of the Intelligencers, with the power to unveil a hidden network of secret Elizabethan spies.

Now, the 428-year-old secret dossier of Robert Cecil, spymaster to Elizabeth I and the man who discovered the 1605 Gunpowder Plot, has been pieced together using this key document. It reveals how Cecil set up and used a clandestine espionage network to spy on European monarchs for the English throne.

The network was so extensive that the historian Stephen Alford – who has been hunting down Elizabethan spies and painstakingly reconstructing Cecil’s illicit files about each “intelligencer” ever since he found the list in the archives nearly 15 years ago – thinks it was “the first properly organised secret service” in England.

“There were lots of names listed – some I recognised, people in or close to the privy council of Elizabeth I, and lots I didn’t know. Eventually, I realised that the numbers next to their names were folio numbers and that this was really a contents page. That was a lightbulb moment,” said Alford, professor of early modern British history at the University of Leeds. He has written a book on his discoveries, All His Spies: The Secret World of Robert Cecil, which is being published by Penguin. The previously overlooked document, which Alford thinks Cecil began to write in 1596, had been placed in a “miscellaneous” folder by Victorian archivists.

“I think I was probably the first scholar to take an interest in it,” said Alford. “The Victorians had a habit, where if they came across papers that didn’t make sense to them, that were a little mysterious and couldn’t be filed away in a neat and tidy way, they would scratch their heads and then stick them in a miscellaneous folder and ignore them. And that’s where historians now find really interesting stuff.”

He began scouring the archives for any paper which looked relevant and had “a little number in the corner” that matched the intelligencer’s number on the contents page. “I just had to hope that the edges of the paper hadn’t been torn. And because the manuscripts were so poorly kept before the 19th century – often stuffed into the chambers in the Tower of London – rats and mice got to some as well. Often, they were stained, sometimes you see teeth marks. It’s a miracle these papers survived at all.”

As he gradually built up each intelligencer’s folio, he began to see a pattern. “Each was like an office file, I think. It was on hand in Cecil’s office for when reports came in, or to keep a record of payments made.”

Most spies in the 16th century worked for courtiers and were normally “a bunch of rogues”, Alford said, who would turn up haphazardly and volunteer information on an ad hoc basis. The intelligencers on this list were different: “These were serious individuals, a lot of them international merchants, who were on the payroll.”

Previously, scholars thought that Cecil, whose official role was secretary of state to Elizabeth, had a “few spies, here and there”. But Alford’s research indicates that he had an organised network of more than 20 spies, in Lisbon, Calais, Brussels, Seville, Rome, Amsterdam, Scotland, Sweden and unspecified locations elsewhere. “He chose merchants because they travel, can read and write, speak European languages and have networks of their own.”

Each agent was paid to secretly send coded reports to Cecil, who decrypted them using the individual, bespoke cypher in each of their files, which also contained a record of their payments and all their secret communications. “By modern standards, the cyphers are pretty unsophisticated – they’ll suggest different letters for letters of the alphabets, or symbols or diagrams for the Queen or King of Spain, for example,” he said.

- Donna Ferguson, 'Uncovered: 428-year-old secret dossier reveals Elizabeth I’s network of spies', Guardian, 29 June 2024