30 June 2022

Next port of call, back in my sweet baby's arms

Thursday music corner: Dave Dobbyn, born in 1957 and knighted for services to music in 2021, released two albums with Th' Dudes, three with DD Smash, and has released nine solo studio albums to date, the most recent of which was 2016's Harmony House. All nine of his solo albums have charted in the New Zealand top 20, with eight charting in the top 10. He has released 11 New Zealand top-20 solo singles, including the 1986 major hit Slice of Heaven in collaboration with Herbs, which also topped the charts in Australia. 

Whaling was originally released on the 1984 DD Smash album The Optimist, which also features Magic (What She Do). This live version is from 10 years later, commemorating a veteran Auckland rock venue. Dobbyn released this 1994 live recording from Ponsonby's Gluepot pub (a famed 600-capacity music venue that closed in October of the same year) as track 2 of the opening single Language from his Neil Finn-produced album Twist. The single, helped by the inclusion of this classic live performance, reached no.4 on the New Zealand charts.

'Let's just do a real laid-back version of this old shanty...'

27 June 2022

Nigel Buxton reviews Ghostbusters

Ghostbusters was one of a tiny handful of films (including Flash Gordon, The Killing Fields and Dances with Wolves) that I went to see with my whole family, even Dad. When we came out of the cinema after Ghostbusters I wanted to know if Dad had liked it as much as I had. He said he liked the bit with the smarmy, troublesome health-inspector character Walter Peck [played by William Atherton], who in one scene gets referred to as 'Dickless' by Ray Stantz. 'One comes across that type so often. He played it perfectly,' said Dad afterwards.

'Didn't you think Dr Venkman was funny, though?' I asked Dad, smiling to myself as recalled Bill Murray's line: 'It's true - this man has no dick' - a type of humour that was new to me.

'He seemed rather too pleased with himself' was Dad's verdict on the comedy genius.

- Adam Buxton, Ramble Book, London, 2020, p.186.

18 June 2022

Three in decay

Cnr Phillips St & Wellington Rd, Sanson

 

16 June 2022

We advise you not to roast grenades in a barbeque

Thursday music corner: Dietmar Schönherr (1926-2014) and Vivi Bach (1939-2013) were a husband-and-wife German acting duo with international heritage - he was Austrian and she was Danish - who also released four pop albums from 1967 to 1970. Schönherr, whose acting career spanned 70 years, was most famous for his leading role as Major Cliff Allister McLane in the much-loved but short-lived and pioneering 1966 German sci-fi TV drama Raumpatrouille ('Space Patrol'). Bach also appeared in 48 films between 1958 and 1974.

Molotow-Cocktail-Party appeared on Schönherr and Bach's 1970 album Wünsch Dir Was ('Make a Wish'), and was a novelty record imagining a way-out shindig populated by anarchists, terrorists and fascists, where the price of entry is a bag of explosives. Perhaps inspired by the growth of radical protest movements like West German student radicals in 1968 and the Red Army Faction, the song is too tongue-in-cheek to be considered even remotely offensive. (You can read a translation of the lyrics here, but they're fairly self-explanatory in German). It gained greater exposure in 2005 on the eccentric compilation The In-Kraut (a play on the 1965 Dobie Gray Northern Soul classic, The 'In' Crowd).

Schönherr and Bach also presented an hour-long Wünsch Dir Was variety programme on German TV in 1971, which included a mysterious mix of family competitions (speed-loading holiday gear into Volkswagens), a mock brawl followed by an identification parade game, a lively marimba performance, and a serious women's panel discussion. 

13 June 2022

Abraham Darby and the first energy transition

For a specific date in the first energy transition - coal's becoming a distinctive industrial fuel, superior to wood - January 1709 could well do. That month, Abraham Darby, an English metalworker and Quaker entrepreneur, working his blast furnace in a village called Coalbrookdale, figured out a way to remove impurities from coal, thus turning it into coke, a higher-carbon version of coal. The coke replaced charcoal, which is partly-burned wood, and had been the standard fuel for smelting. Darby was convinced, he said, "that a more effective means of iron production may be achieved." He was also ridiculed. "There are many who doubt me foolhardy," he said. But his method worked.

Though it took a few decades to spread, Darby's innovation lowered the cost of smelting iron, making iron much more available for industrial uses, helping to spur the Industrial Revolution. Coal was the fuel source for Thomas Newcomen's steam engine, developed around the same time as Darby's innovation to pump water out of coal mines, and for James Watt's much-improved engine, the commercial introduction of which in 1776 - the same year as the outbreak of the American Revolution and the publication of Adam Smith's Wealth of Nations - was a decisive moment in the Industrial Revolution. But as energy scholar Vaclav Smil observes, "Even with the rise of industrial machines, the nineteenth century was not run on coal. It ran on wood, charcoal, and crop residues." It was not until 1900 that coal reached the point of supplying half of the world's energy demand. Oil was discovered in northwest Pennsylvania in 1859. But it took more than a century - not until the 1960s - for it to supplant coal as the world's number one energy source. Even so, that hardly meant the end of coal, for consumption has continued to grow. As for natural gas, global consumption has increased 60 percent since 2000.

- Daniel Yergin, The New Map: Energy, Climate & the Clash of Nations, New York, 2020, p.378-9.

09 June 2022

Talking on the phone is not my speed, don't send me no letter, 'cause I can't read

Thursday music corner: Louisiana-born rock 'n roll pioneer Antoine 'Fats' Domino (1928-2017) was labelled by none other than Elvis Presley as 'the real king of rock 'n roll'. He had a huge string of hit singles and albums, starting with The Fat Man (actually a b-side) in 1949, achieving enduring success with hits like Ain't That A Shame (1955), Blueberry Hill (1956) and I'm Walkin' (1956), and concluding with a top 40 R&B chart hit as late as 1964 when the Beatles, who also idolised Domino, revolutionised American music for ever. A major earner on the concert circuit for many years, he was famed for his love of expensive jewelry, as discussed in this 1968 interview.

Boogie stomper I'm Ready was an April 1959 Domino single (b/w a cover of 1920 jazz standard Margie) on the Imperial label, which appeared on his 1960 album Fats Domino Sings Million Record Hits

06 June 2022

King's Birthday 1922

King's Birthday dawned with the promise of being a bright day—the kind of holiday weather which is sometimes experienced even in winter; but it failed to keep its promise, and, all day, the weather was dull and overcast. Under these conditions there was little inducement for people to celebrate the holiday out of doors. Some took their courage and their overcoats in their hands, and went to the country. A fair number took train to the Otaki races, but most were content with such shorter excursions as visits to the football matches, the pictures, or the pantomime. The big Soccer match at the Basin Reserve attracted a large crowd of holiday makers. Government and municipal buildings flew the British flag in honour of the Sovereign's birthday, and at noon a salute of twenty-one guns was fired from the forts. 
- Evening Post, 3 June 1922

[The Sovereign was George V. The Basin Reserve match was an Australian Association team playing a Wellington selection]

See also:
Blog: Wellington Anniversary Day 1850, 22 January 2015
Blog: Pencarrow lighthouse, 20 January 2014
BlogShipping in Wellington, 1850-70, 12 June 2009

02 June 2022

Third time I lose I drink anything 'cause I think I'm gonna win

Thursday music corner: Gram Parsons (1946-73), born in Florida as Ingram Cecil Connor III, died before he could reap the rewards of his trailblazing country-rock recordings, and was about six weeks shy of joining the infamous 27 Club of recording artists who lost their lives at that untimely age. Having recorded with the Byrds and the Flying Burrito Brothers, he laid down what would become his defining solo album, Grievous Angel, in Hollywood in the northern summer of 1973 with the invaluable collaboration of his singing partner, Emmylou Harris. The sessions were reportedly happy, but Parsons was an unreliable performer, much affected by his heroin and alcohol addictions.

Las Vegas, sometimes listed as Ooh Las Vegas, was a reject from his first solo album, GP, co-written by Family, Blind Faith and Traffic guitarist Ric Grech. Here on Grievous Angel the number, fuelled into a frenetic country boogie by Elvis Presley's Taking Care of Business band, and sweetened by Harris' harmonies, took off and became a rousing anthem of rueful excess.

Grievous Angel was released in January 1974, four months after Parsons' death from an overdose of morphine and alcohol. While it initially failed to sell, over time it emerged as a cross-over classic, successfully bridging the gap between country and rock. It went on to influence generations of performers. One of its best-known tracks, Parsons and Harris' duet on Boudleaux Bryant's 1960 classic Love Hurts, became a romantic standard alongside other performances by the Everly Brothers and Nazareth.