'Let's just do a real laid-back version of this old shanty...'
Modestly adventurous, while also endeavouring to look both ways when crossing the road.
30 June 2022
Next port of call, back in my sweet baby's arms
'Let's just do a real laid-back version of this old shanty...'
27 June 2022
Nigel Buxton reviews Ghostbusters
Ghostbusters was one of a tiny handful of films (including Flash Gordon, The Killing Fields and Dances with Wolves) that I went to see with my whole family, even Dad. When we came out of the cinema after Ghostbusters I wanted to know if Dad had liked it as much as I had. He said he liked the bit with the smarmy, troublesome health-inspector character Walter Peck [played by William Atherton], who in one scene gets referred to as 'Dickless' by Ray Stantz. 'One comes across that type so often. He played it perfectly,' said Dad afterwards.
'Didn't you think Dr Venkman was funny, though?' I asked Dad, smiling to myself as recalled Bill Murray's line: 'It's true - this man has no dick' - a type of humour that was new to me.
'He seemed rather too pleased with himself' was Dad's verdict on the comedy genius.
- Adam Buxton, Ramble Book, London, 2020, p.186.
18 June 2022
16 June 2022
We advise you not to roast grenades in a barbeque
Molotow-Cocktail-Party appeared on Schönherr and Bach's 1970 album Wünsch Dir Was ('Make a Wish'), and was a novelty record imagining a way-out shindig populated by anarchists, terrorists and fascists, where the price of entry is a bag of explosives. Perhaps inspired by the growth of radical protest movements like West German student radicals in 1968 and the Red Army Faction, the song is too tongue-in-cheek to be considered even remotely offensive. (You can read a translation of the lyrics here, but they're fairly self-explanatory in German). It gained greater exposure in 2005 on the eccentric compilation The In-Kraut (a play on the 1965 Dobie Gray Northern Soul classic, The 'In' Crowd).
13 June 2022
Abraham Darby and the first energy transition
For a specific date in the first energy transition - coal's becoming a distinctive industrial fuel, superior to wood - January 1709 could well do. That month, Abraham Darby, an English metalworker and Quaker entrepreneur, working his blast furnace in a village called Coalbrookdale, figured out a way to remove impurities from coal, thus turning it into coke, a higher-carbon version of coal. The coke replaced charcoal, which is partly-burned wood, and had been the standard fuel for smelting. Darby was convinced, he said, "that a more effective means of iron production may be achieved." He was also ridiculed. "There are many who doubt me foolhardy," he said. But his method worked.
Though it took a few decades to spread, Darby's innovation lowered the cost of smelting iron, making iron much more available for industrial uses, helping to spur the Industrial Revolution. Coal was the fuel source for Thomas Newcomen's steam engine, developed around the same time as Darby's innovation to pump water out of coal mines, and for James Watt's much-improved engine, the commercial introduction of which in 1776 - the same year as the outbreak of the American Revolution and the publication of Adam Smith's Wealth of Nations - was a decisive moment in the Industrial Revolution. But as energy scholar Vaclav Smil observes, "Even with the rise of industrial machines, the nineteenth century was not run on coal. It ran on wood, charcoal, and crop residues." It was not until 1900 that coal reached the point of supplying half of the world's energy demand. Oil was discovered in northwest Pennsylvania in 1859. But it took more than a century - not until the 1960s - for it to supplant coal as the world's number one energy source. Even so, that hardly meant the end of coal, for consumption has continued to grow. As for natural gas, global consumption has increased 60 percent since 2000.
- Daniel Yergin, The New Map: Energy, Climate & the Clash of Nations, New York, 2020, p.378-9.
09 June 2022
Talking on the phone is not my speed, don't send me no letter, 'cause I can't read
06 June 2022
King's Birthday 1922
Blog: Pencarrow lighthouse, 20 January 2014
04 June 2022
02 June 2022
Third time I lose I drink anything 'cause I think I'm gonna win
Thursday music corner: Gram Parsons (1946-73), born in Florida as Ingram Cecil Connor III, died before he could reap the rewards of his trailblazing country-rock recordings, and was about six weeks shy of joining the infamous 27 Club of recording artists who lost their lives at that untimely age. Having recorded with the Byrds and the Flying Burrito Brothers, he laid down what would become his defining solo album, Grievous Angel, in Hollywood in the northern summer of 1973 with the invaluable collaboration of his singing partner, Emmylou Harris. The sessions were reportedly happy, but Parsons was an unreliable performer, much affected by his heroin and alcohol addictions.
Las Vegas, sometimes listed as Ooh Las Vegas, was a reject from his first solo album, GP, co-written by Family, Blind Faith and Traffic guitarist Ric Grech. Here on Grievous Angel the number, fuelled into a frenetic country boogie by Elvis Presley's Taking Care of Business band, and sweetened by Harris' harmonies, took off and became a rousing anthem of rueful excess.
Grievous Angel was released in January 1974, four months after Parsons' death from an overdose of morphine and alcohol. While it initially failed to sell, over time it emerged as a cross-over classic, successfully bridging the gap between country and rock. It went on to influence generations of performers. One of its best-known tracks, Parsons and Harris' duet on Boudleaux Bryant's 1960 classic Love Hurts, became a romantic standard alongside other performances by the Everly Brothers and Nazareth.